Return the Oscar?! Brendan Fraser doesn’t deserve the ridicule for Killers of the Flower Moon because it shows evil personified

In Killers of the Flower Moon, Martin Scorsese tells of the Osage murders that took place in Oklahoma in the early 1920s. Several members of the Osage Nation were brutally murdered by white men in order to… Land, oil and money get. Scorsese takes 206 minutes to break down this shocking piece of American history in all its details and depths.

The focus of the plot is Ernest Burkhart (Leonardo DiCaprio), who returns from the First World War as a soldier and is more or less directly instructed by his uncle William Hale (Robert De Niro) to marry the Osage woman Mollie (Lily Gladstone). marry, to get their assets. In the end, however, Hale’s sinister machinations come to light and he ends up in court.

Enter: Brendan Fraser.

After his Oscar win: The internet is making fun of Brendan Fraser in Killers of the Flower Moon

In Killers of the Flower Moon, Fraser portrays the lawyer WS Hamilton, who attacks Hale with burning words and a extreme southern accent defended. His voice resonates so powerfully through the room that it shakes the courtroom to its foundations. For some moviegoers, that was too much. The accusation is that the exaggerated performance doesn’t fit at all with the rest of the film.

Fraser received a lot of ridicule on social networks for his appearance. Sometimes it is even required that he should give back his Oscar, which he just received for his comeback performance in The Whale. I think that’s nonsense, because if we take a step back, his WS Hamilton actually fits very well into the picture of America that Scorsese paints in Killers of the Flower Moon.

Scorsese doesn’t just tell about a gruesome series of murders. He is primarily concerned with the social, political and social structures that made this possible. The killers are exposed precisely

– as well as those who empowered and protected them. For Scorsese, there is no doubt who the victims and who the perpetrators are in Killers of the Flower Moon. He takes the figures apart with razor sharpness.

Brendan Fraser perfectly nails Scorsese’s evil white men in Killers of the Flower Moon

As much respect as Scorsese has for the Osage and their history, he is also ruthless in his condemnation of the white men who simply take what they think is theirs. When Fraser’s Hamilton stands up in the courtroom with a powerful movement caught on camera and “I demand” (in German: “I demand”) rumbles, he transforms into the most vulgar formulation white supremacy.

The pathos, the audacity and yes, even the cold-bloodedness of the system behind the murders, which had previously been woven into the film rather casually, culminate in Hamilton. Now you can’t ignore it anymore. Fraser rambles as loudly as if he could Shaping America with his words. But these words have no basis in truth. They are assertions that are not based on reason or argument. They are just one thing: grotesque.

What is particularly fascinating is the matter-of-factness with which Hamilton enters the room. He doesn’t even assume that anyone could question his empty talk. After all, it came from his mouth. He, Hale and the other men are the real America. When Ernest doesn’t want to obey him, he only responds with one “Dumb boy” (in German: “Stupid boy”) – that is, an insult, an intimidation. And not with an attempt at persuasion – and that as a lawyer.

Hamilton believes in wielding power. Scorsese’s production makes his raging speeches more like an act of desperation, almost like a cry for help works. Hamilton believes he is safe under laws that have favored him for decades while others are systematically exploited. Suddenly everything starts to wobble and he flails his arms in vain. It’s exactly this rowing that Fraser brings to the point.

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