Her new studio has a good extraction system. And the pyrograph she has now can adjust them in heat. The higher the temperature, the darker it burns. “I’m constantly playing with light and dark. And that you’re only working with heat, something very primitive, that’s the challenge. And it has to be right right away, because all the stripes and spots you’ve made, you can no more correcting.”
Nathalie paints with heat: ‘Something very primitive’
