Impregnated with social protest, the first album of the Lebanese artist Mayssa Jallad merges her two vocations: music and urban research. On a canvas of songs in chiaroscuro, with sometimes trip hop climates, she tells a part of the Lebanese war, “The war of the hotels”, and makes her crystalline voice meander in a noticeably melancholy sound orient. Portrait.
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Mayssa Jallad: Beirut’s emotion at the height of pop
