Before his death, master director Stanley Kubrick turned over a planned science fiction project to Steven Spielberg. He made the film as closely as possible after the presentation of the Clockwork Orange genius.
AI – artificial intelligence, you among other things at Paramount+ * or the Sky streaming service wow* can stream as a subscription is a touching masterpiece, which is completely overwhelming in the finale at the latest. At that time, the blockbuster divided opinions, which was mainly due to the fusion of the styles of Kubrick and Spielberg.
Sci-Fi masterpiece AI inspires as a visually stunning adventure with an outstanding finale
In the future, the first intelligent robotic children were created that could feel human emotions such as love. One of these models, named David (Haley Joel Osment), is adopted by married couple Henry (Sam Robards) and Monica (Frances O’Connor). After a drastic incident, the mother abandons her son in the forest, where David has to fight to survive and win back Monica’s love. A fairy is supposed to transform him into a real boy.
AI is one Sci-Fi twist on the classic Pinocchio story and inspires as a soulful adventure that at the same time exudes the cool genre perfectionism of Stanley Kubrick.
Nevertheless, the film has become a Spielberg blockbuster through and through, which, in addition to the emotional handwriting, is also due to the great pictures by regular cameraman Janusz Kaminski and the once again magnificent score by John Williams.
The highlight of the sci-fi film is clearly the last 20 minutes, in which AI sparks an incredibly emotional finale after a time jump. Anyone who knows the director’s cinema can guess the direction David’s story is taking. As so overwhelming emotional storm however, even Spielberg’s works rarely come along.
Steven Spielberg’s AI split opinions extremely at the time
It was precisely the mixture of the handwritings of Kubrick and Spielberg that made for the publication of AI 2001 controversial discussions and negative reviews. One of them comes from Prisma, for example. It states, among other things:
Once again, a Spielberg film impresses only with its visual perfection. But neither the story nor the sometimes poor implementation are convincing here. The story of robots with feelings isn’t exactly the reinvention of science fiction, either in literature or in film. It makes you wonder what’s left of the project that Stanley Kubrick started. Because Spielberg bores almost the whole two and a half hours and at the end sugars around so much that everything melts into a sweet mush.
It’s best if you form your own opinion, because the Moviepilot editors consider AI to be one of the best sci-fi films of the last 25 years.
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