Despite the political tensions that exist between the two countries, the bridges are not completely cut between Paris and Bamako. An example: Daouda Keita, the director general of the national museum of Mali, has been in residence since mid-May at the Quai Branly museum in Paris. He is there to study the Malian collections there, while Bamako has made a request for the return of works of art to France. What pieces does he study in particular? Will his work allow Bamako to refine its request for restitution from France?
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Daouda Keita: “I am making an inventory of Malian cultural property kept at the Quai Branly museum”
