Radio Foot 4:10 p.m.-9:10 p.m. TU with a summary this Wednesday: – Farid Bouadla’s documentary “450 grams, the weight of passion”. ; – Nations League: the Blues face Israel tomorrow (October 10, 2024) in Budapest.
– When the lure of profit undermines children’s pleasure in playing.
We linger and debate about the documentary “450 grams, the weight of passion”. Farid Bouadla takes his camera around Île-de-France, in Lyon and Marseille, he takes us to the heart of amateur football. The same observation for educators and coaches of young shoots, the behavior of parents. Sometimes paranoid, ready to do anything for their offspring to become a football star, ranging from insults to gun threats from educators, often volunteers. But can each kid turn into an exceptional player and be a source of income? Can a father’s dream become his child’s? If the kid aspires to become an Mbappé, how does he deal with the pressures he faces? Sociologists, researchers, coaches from the professional world give their point of view, players in the amateur field talk about the excesses of society that current football offers.
– League of Nations: the Blues face Israel tomorrow in Budapest.
A group B where the Italians, in the lead, will challenge Belgium at the same time. Deschamps, now without Griezmann, and occasionally without Mbappé, approaches the competition by talking about “oxygenation”, and therefore new faces. Bad in defense, and in front: return of Nkunku, Olise will have a great responsibility, Kolo Muani will try to take advantage of this international break to regain his health. Marcus Thuram is a hit with Inter, will he be effective in Blue? Aurélien Tchouaméni inherits the armband, will he still wear it on Monday (October 14, 2024) in Brussels? Israel and relocated matches. A complicated geopolitical context. Why host the meetings in Hungary and what crowds are there in Budapest? Especially since, on the French side, the last performances were not the most exciting!
With Annie Gasnier: Farid Bouadla, Emma Garboud-Lorenzoni, Yoro Mangara and Chérif Ghémmour. Technique-production: “maestro” Salerno — Pierre Guérin.