With the satirical horror thriller Fresh, director Mimi Cave presented a exciting directorial debutwhich is socially critical commentary on current dating realities.
You can currently stream the film with a subscription on Disney+.
Fresh on Disney+: Entertaining and exciting horror thriller with Daisy Edgar Jones and Sebastian Stan
After some less than pleasant experiences in the world of online dating, Noa (Daisy Edgar-Jones), a fun-loving woman looking for a partner, has lost interest in going out.
That changes when she stumbles upon the attractive doctor Steve (Sebastian Stan) in the neighboring supermarket. There is a spark between the two and after a few euphoric dates, Steve invites her on a weekend trip to his remote country house.
You can watch the trailer for Fresh here:
Fresh – Trailer (German) HD
Noa agrees and accompanies Steve to his house – where he promptly knocks her out. Shortly afterwards, she finds herself chained in his basement. Steve announces that he is a Need for human flesh And that’s not all: He has developed a successful business model that will make your stomach turn.
Really good horror thriller on Disney+: Fresh knows no mercy
Lauryn Kahn’s script takes up evil, funny and uncompromising Dissect the current dating scene and generate a pleasurable horror scenario that you prefer to delete every dating app want.
Mimi Cave’s production, on the other hand, has an eye for Kahn’s fine nuances and transforms the original into a dark satire with gag reflex potentialwhere you don’t know whether you should burst out laughing or scream and run away from the screen.
The film works because it succeeds in creating a uncompromising view
to throw on the superficial society, without sticking to the surface or to lose his sympathy for the protagonists.
Instead, Fresh skillfully balances with a Mixture of horror and social satireBecause the only thing bloodier in this script than Steve’s cannibalistic delivery service is the biting humor that is evident in every scene.
Finally, a horror film with characters that seem consistently approachable, who are important to the filmmakers behind the camera – and therefore important to us too. One sincerely wishes Noa would find Steve’s basement If possible, leave it in one piece.
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