To look at final cut of Myriam Saduis is to reopen the drawers of great history and find yourself in the little papers of your family story.
It is to see a French protectorate enter the inner chamber of a singular story between an Italian and a Tunisian. Collecting the fragments – Racism, trauma, erasure, madness – as if the hand of a script that is beyond us wrote our life, in our place. Until the intervention of our guest actress, director and author who signs the aptly named final cutto be seen at the moment at the Théâtre de Belleville in Paris. Maeterlinck Critics’ Prize 2019, Best Show and Best Actress, Final Cut, which draws on the toolbox of psychoanalysis and theater, is a wonderful alchemy between realism and art. Like this quote from Oscar Wilde prized by Myriam Saduis Life imitates art, much more than art imitates life…
The musical choices of Myriam Saduis
Nick Drake Day is done
Hiba Tawaji The mills of my heart
Johannes-Passion, BWV 245, JS Bach version- The Little Banddirected by Sigiswald Kuijken